This ethereal and reflective chart hints at Afro-Cuban 12/8 grooves but is more reminiscent of Pat Metheny or Lyle Mays than Dizzy Gillespie. Lots of color and texture make it easy on the ears and perfect for the high school or lower level college jazz ensemble. No doubling, lead trumpet to high D. Extended solo written for guitar. Voicings and bass lines are provided for rhythm instruments. 5,4,4,G,P,B,D. Med diff.